The majority of the lyrics, however, are directed at an ex who evidently did some damage in 'RoboCop' alone, she gets compared to the antagonist in Misery and is called a 'spoiled little L.A. ![]() ![]() When, in 'Welcome to Heartbreak,' he dispassionately recounts sitting alone on a flight, ahead of a laughing family, he makes first class sound like Siberia he'd swap lives with the father in an instant. ![]() In various spots across 808s & Heartbreak, the constant flutter of West's processed voice, along with a seldom interrupted sluggish march of aching sounds, is enlivened by the disarming manner in which despair and dejection are conveyed.
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